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| Novembers Doom The Knowing It's nearly thorny for me to write down an objective review, because despite the fact that this is a "love or hate" piece, the effort in question is a colossal, brilliantly varied one, that enraptures the listener in numerous layers of moods, emotions and an approximately lucent, but otherworldly heaviness. It's evident that the band gained acquaintance of quite a few tricks
from the British Trinity (i.e. Anathema, My Dying Bride and Paradise
Lost) and in a number of parts, the sound is reminiscent; still, this
assembly of mourners manages to generate a noise of their own, with no
exterior interferences (in a time where the mainstream musical leanings
are poles apart), and I think that's worth of a reasonable sum of
praise. One thing I truly valued on the vocal section, was that the
words were still decipherable, regardless of being spewed forth in a
growling style (rather atypical, as you may perhaps agree) and both the
clean male and female croons are adequately temperate, carrying a
moderated Gothic tone all together. Moreover, the instrumental branch is
pretty strong, as it doesn't sink itself in any of the extremes commonly
evident within this brand of tunes and I'm sure that must have happened
that way due to the effort laid down on the production phase, as the
whole thing has its appropriate place and precision.Final comments aren't simple to pinpoint, but frankly, I trust this gang has vast potential and determination to stand sideways with the elite, or even beat it in upcoming circumstances (in particular judging for what the above cited bands are presently discovering). www.novembersdoom.com www.darksymphonies.com © 2000 The Lodge |
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